2:00-3:30 PM, the Gym, introduced by Mercedes Azpilicueta, Head of TXT
Heartbreak is not just a feeling; it is often described as the starting point of revolutionary thinking. In this performance, two performers work on stage with rocks, drums, and their voices. Through music, sound, and prayer, they call on the folk saint Wilgefortis, known as the protector of heartbroken people.
Wilgefortis, also called Sint Ontkommer, is a legendary bearded woman whose violent and tragic story, and whose crossing of gender norms, has long inspired those resisting oppression. The performers explore voices beyond gender categories while using the sounds and movements of hard physical labour, such as breaking rocks.
The performance asks: who is allowed to strike, and who is made to receive the blow in today’s society? When the rocks are hit, the space begins to vibrate. The choreography grows out of breath, voice, and song, pointing to a strange and subversive humour in the process of freeing oneself — and each other. The work also includes a tribute to Ulrike Ottinger’s 1981 cult film Freak Orlando, reimagined as a punk opera concert.
Giulia Damiani is an artist based in Amsterdam who works with text and performance. Her practice creates provocative performative situations, often starting from a sound investigation, posing urgent questions about violence, language, and a mythical and ecological territory. Her latest production, "Heart Brake" (2024), was created at Centrale Fies and presented internationally with the support of the Mondriaan Fonds, AFK, and Voordekunst. It will be staged again in December 2025 in Frascati, Amsterdam. In 2022, she completed her PhD based on her performance practice, entitled "Porous Places: Eruptive Bodies", at the Department of Art at Goldsmiths College (London), writing extensively about the feminist group Le Nemesiache in Naples and reactivating their work. She edited the book "Ritual and Display", published by If I Can't Dance in 2022. She teaches at the Rietveld Academie in Amsterdam.
Credits:
Concept, director and writer: Giulia Damiani
Performed and developed by: Giulia Damiani in collaboration with Luísa Saraiva
Production and artistic advice: Isobel Dryburgh
Sound design: Leroy Chaar
Costume and scene design: Publik Universal Frxnd
Stage manager: Fivos Petropoulos
Rock-splitting training: Alberto Damiani
With the support of: Amsterdams Fonds Voor den Kust 23-24, Centrale Fies, Mondriaan Fonds 24, Rozenstraat - a rose is a rose is a rose, Voordekunst
Residency support: Dance Space Destiny (Amsterdam), If I Can’t Dance I Don’t Want to be Part of Your Revolution (Amsterdam), CRL (Porto), Centrale Fies (Dro), De Sloot (Amsterdam)
Special acknowledgements for the support: Sara Giannini, Jodi Gilbert, Fariborz Karimi, Mark Redele, Barnaby Savage, Merel Severs, Angeliki Tzortzakaki and Dan Walwin